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The Simpsons’ evil scheme to reach 600 episodes lands in the Treehouse Of Horror

(Image: Fox)
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That The Simpsons’ 600th episode falls on a “Treehouse Of Horror” is for the best, ultimately. Milestone episodes, event episodes, episodes built around a huge guest star—these are not generally great Simpsons TV, as the show tries to craft a story around something external. While the annual “Treehouse Of Horror” episodes traditionally get decent ratings, and have produced some classic scenes over the decades, the expectations are lower regarding character development, plot, or general coherence. The Simpsons’ Halloween tradition is for quick-hit horror and sci-fi parodies, a heap of references, some gratuitous bloodshed, and the occasional actual smidgen of heart. Grading on that curve, the 27th installment does its job, for the most part.


The promotional materials, including the usually amusing snarky screener announcement sent to critics (or “critics” as such people are called within), hyped the return of still-hotly-debated Homer nemesis Frank Grimes, or at least the poor guy’s ghost. And the opening segment sees the Simpsons in costume, buying Christmas trees on Halloween, as Homer says, “Because in America, everything’s way too early.” (He’s wearing an “Ivanka 2028” campaign button, because nothing matters in America at this point.) There, they’re confronted not only by the ghost of Grimes (“Who?,” asks Homer, to the ghostly Grimes’ chagrin), Sideshow Bob, Kang (or Kodos), and that leprechaun who tells Ralph to burn things, who proclaim themselves the family’s four evil nemeses before being immediately slaughtered by Maggie. (What looked like her Chaplin costume turns out to be her old Alex DeLarge costume, complete with sword cane.) Adios, Frank Grimes—you were used for a throwaway gag, as is your destiny.

The pieces that follow all partake of the same strengths and weaknesses. Longer than the average episode by a minute or so, each of the four has a little time to breathe, which the writers use to pack in plenty of references, both to Simpsons lore and the movies being parodied. I say “reference” because that’s the level they’re all operating on, more or less. On a normal episode, Homer (as Woody Harrelson’s drunken mentor from the Hunger Games movies) pronouncing “Also, I sober up in the middle with no difficulty just like real alcoholics!” would be more tiresome in how it draws attention to itself without being especially funny. On a “Treehouse Of Horror,” there’s no time for subtlety, so the joke gets the nod of recognition it’s going for before the segment marches on. Lisa is the Katniss of the story, naturally, with Mr. Burns’ monopoly on drought-stricken Springfield’s water supply bringing in Mad Max: Fury Road gags aplenty once Lisa and her now-trained gladiators storm Burns’ reservoir.


Not having seen any Hunger Games (sue me), the series has yet reached the level of cultural ubiquity to spot the gags in Marge’s outlandish hairstyles, the two cute boys (both named Peeta, either for the animal rights organization or the “healthy bread”), and all the child-murder. (The screen announcing the Peetas’ demise describes them as “two sunken dreamboats.”) Better are the little jokes around the edges that have nothing to do with all the reference-spotting. Poor Milhouse stubbornly refusing to abandon his skin-stripping Slip ‘n’ Slide, Apu squeezing tortoises in a hand-juicer for their sweet, precious tortoise-juice, the fact that Burns is only the overlord of the wasteland because people keep voting for him. Best of all is Harry Shearer’s Burns, taunting his subjects’ thirst by drinking then smashing a glass of water, hosing off the water, then hosing off that water with a bigger hose. (He also concludes his televised address by reenacting the water-splashing Flashdance scene, at length.) Freed up from worrying about continuity or character, the episode is just a joke machine, as when the Homer character responds to Lisa’s birdcall all-clear signal with a frightened, “But what about all the birds?”

“BFF/RIP” stars Lisa as well, this time watching aghast as her long-discarded imaginary friend Rachel (guest voice Sarah Silverman) starts bumping off anyone who gets to close to Lisa. Here, there’s less pressure to adhere to the details of a specific horror story, so the writers find some inventive ways to screw around with the whole “evil imaginary friend” idea. At Janey’s funeral (bloodily mowed down by Homer’s Flanders’ lawnmower), Lisa weeps, “I mean, it’s a great college essay, but it’s not worth it!” Sent to therapy after replacement besties Sherri and Terri are immediately smushed by a falling gravestone, Lisa sees her understanding therapist killed in front of her by a falling “It gets better” motivational poster, Yeardley Smith making Lisa’s comprehensive cry of grief, “Ms. Mancuso-Gluckman!” specifically funny. (Even in horror, Lisa would address a professional woman by her preferred nomenclature.) A “Lisa Simpson wing” of the cemetery is christened to accommodate all her dead friends. And Chief Wiggum, skeptical of Lisa’s realization that Rachel’s involved, gets a number of great Wiggum lines, telling Lou “The only invisible killer I believe in is God,” and asking for Lou’s help once he gets lost in his own mocking insult. (“You got yourself into that acronym, you can get yourself out,” sneers Lou.)


But there are some touches of the actual Lisa in there that lend her plight a bit more substance. Rachel’s revelation that she comes from where Lisa’s “darkest thoughts live” is evocative, especially when we see Lisa’s dream of driving with a dead deer strapped to her pickup, running over the Buddha, and a whole lot of saxophones. Once Bart helps her escape from jail, her realization that her imagination can will things to life sees her conjure up a motorcycle that runs on pony-smiles, which is just right. And, while not overdone, Lisa’s complaint to the vengeful Rachel, “Why can’t a real person like me this much?,” at least puts an emotional bow on the story. And the fact that Homer’s imaginary friend who (unsuccessfully) comes to the rescue is a giant wiener named Sergeant Sausage made me laugh.

“Moefinger” posits that Moe’s is actually a Kingsman/James Bond-style front for a secret organization of world-saving barfly agents is amusing mainly for Hank Azaria’s Moe who, while suaver and deadlier than our Moe, is still comically grumpy. Training Bart as their new agent in order to find out who killed agent Homer (Bart never believed he died while jogging), they discover that the Blofeld-ian leader of arch-nemeses REMOH is, in fact—wait for it—Homer! (No, he did not realize that REMOH is HOMER spelled backward.) Sure, it may be a product of the average age of the longtime Simpsons writers, but there’s loopy fun to be had from the fact that evil Homer’s big plan (involving lava, naturally) is planned around a Steely Dan concert. “Attention lovers of studio perfectionism,” he calls out to his drugged, “army of jazz-rock aficionados age 50 and up” to defend him, then waffles over which song the band (Donald Fagen voices himself) should play over the big (Kingsman-gratuitous) fight scene. (He finally settles on the incongruously smooth stylings of “Babylon Sisters” to accompany the mayhem.)

(Image: Fox)

And, yes, the final pun of the agency’s Michael Caine-sounding leader about the victorious Bart “having a little Sherri” is gross, it’s also of a piece with both the Bond and Kingsman tradition of such groan-worthy post-kill sexual exploits. (Carl also reports on his return from Prague: “I cancelled a few Czechs.”)


When the segment closes out with a Shirley Bassey-styled Bond anthem, the lyrics take shots at just how long The Simpsons have “churned out” 600 episodes of television. (Before really making this reviewer feel old by running a crawl of all the “shows that were bad” that aired during The Simpsons 27-plus years.) Simpsons fans love to argue, rank, and make very boring “is that show still on/not as good as it used to be” jokes, and God bless ’em. But that’s a lot of television, and this annual celebration of the fanciful fringes of the show’s world might not have been the best, but it wasn’t the… worst “Treehouse Of Horror” ever. At this stage, I’ll take it.

Stray observations

(Screencap: Fox)
  • See, Fox? Send out a screener once in a while and you get a screencapped sign gag!
  • The Fox shows that The Simpsons have aired promos for (and long-outlasted) over its 600 episodes include: Drexel’s Class, Babes, Herman’s Head, Woops!, Too Something, House Of Buggin’, Sit Down Shut Up, Celebrity Boxing, The Littlest Groom, Man Vs. Beast, and Allen Gregory, plus The Critic, Futurama, and “Untitled Seth MacFarlane Show 2017.”
  • The couch gag takes the form of “Planet Of The Couches,” where the Simpsons flee in a world where couch rules man. Despite its having helped them escape, Homer brains their couch and they al sit on it. Poor couch.
  • Grimes, contemplating the show’s history (and FXX’s marketing strategy): “In Hell they make you watch them all in a row!”
  • I know he’s just here as a gag, but lumping Grimes in with the likes of Sideshow Bob doesn’t sit right. Grimes’ kid, maybe, but this just seems another injustice heaped upon poor Grimey (as he liked to be called).
  • Lisa refers to the parched Springfield as being in a “drought of Chicago Cubs-like proportions.” So, considering the show’s scientifically documented history of completely, 100-per-cent true psychic predictions, what are we thinking here, Cubs fans?
  • Ms. Mancuso-Gluckman is played by singer songwriter Judith Owen, who also happens to be married to Harry Shearer.
  • Everyone in Sherri and Terri’s family has rhyming names, so Drew Carey (as himself) mistakenly shows up at their funeral. Which is about as funny a joke as that sounds.
  • Sergeant Sausage, being stuffed in the microwave by Rachel: “No! No—cut slits in me first!”
  • “Violence never solved anything!” “Don’t use math on us.”
  • Secret agents include: that barfly in the baseball cap (whose name is Sam, apparently), Barney, Carl and Lenny, and Gil (codenamed Old Fashioned), Wilie (Rob Roy), Moe (Toilet Gin), and boss Highball (home base is an Apple store). Deceased agents: Üter, Dr. Marvin Monroe, Homer (revealed as traitor in this episode!)
  • “Meet Q. Here, its a pool cue. That’s your weapon.”
  • Evil Homer got his Blofeld scars from his appropriately evil cat.
  • Happy 600th everyone.

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